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Showing posts with label vincent astor. Show all posts
Showing posts with label vincent astor. Show all posts

Sunday

The 1894 Hotel St. Cloud Annex -- No. 143 West 41st Street

photo by Alice Lum
Along with its extensive real estate dealings, the Astor family was familiar with the business of running hotels.    The first John Jacob Astor started the tradition in 1836 with his Astor House—at the time the most opulent hotel in New York at the time.

In 1892 the fashionable St. Cloud Hotel sat at the corner of 42nd Street and Broadway.  When it was built in 1868 it was far uptown and considered a risky proposition.   But the owners gambled on potential business from Cornelius Vanderbilt’s ambitious Grand Central Depot which was about to be constructed.  The New York Times later reported that “proved to be the case.”

For over two decades the Rand brothers had operated the St. Cloud.  Now, on October 19, 1892, John Jacob Astor IV purchased the hotel for $850,000—a staggering $19.5 million today.   In reporting the deal, The New York Times noted “In addition to the hotel proper, the property includes two four-story brownstone houses adjoining on Forty-second Street and a narrow vacant plot in the rear on Forty-first Street.”

Astor kept the Rand brothers on as proprietors and the press announced “no intention at present of rebuilding or in any wise altering the property.  It was bought merely as a real-estate investment for surplus funds, in accordance with the well-known policy of the Astors.”

Nevertheless, the pesky 16-foot wide lot behind the hotel was soon improved.  A year later Astor commissioned architect Philip C. Brown to design an annex to the hotel here.   If Brown designed any other buildings in his career, they are undocumented. 


photo by the author
Completed in 1894 the eight-story Romanesque Revival style structure was connected internally to the main hotel.  Brown faced the structure in buff-colored brick and stepped away from the Romanesque style long enough to lavish it with Beaux Arts decorations.  The architect treated the skinny addition with dignity, adding a dramatic three-story arched opening above the second floor.  Decorated with terra cotta, it foreshadows the self-confident theater architecture that would soon flood the Times Square area.

The annex offered additional rooms and rentable semi-public rooms.  As it was being constructed the Knickerbocker Whist Club was incorporated in the fall of 1893.  Organized by Edward A. Smith, Harry S. Williams, John Hopper and J. C. Wilson it started in the Broadway Central Hotel.   The card game had fallen out of fashion for a period, but was suddenly regaining popularity.

On March 8, 1894 The New York Times noticed that “The game of whist has been having a quiet but unmistakable revival not only in this city, but in other parts of the country, this Winter.  The youngest organization in New-York which devotes itself entirely to the game is the Knickerbocker Whist Club, whose rooms are in the Hotel Wellington Annex, at Madison Avenue and Forty-second Street.”

Although the Knickerbocker was the youngest of the clubs, it was among the best.  “The Knickerbockers do not say much, but they go right on winning matches with a regularity which is exasperating to their rivals,” said The Times.

In 1897 the club moved its headquarters to the St. Cloud annex; what The Sun called “larger and better quarters.”  The club managed to have its own private entrance to the building on 41st Street.   The strait-laced Victorian players were quick to point out that there was nothing illicit in their games.

“The fundamental idea of this club is the encouragement of playing whist strictly as an intellectual amusement, no betting of any kind being permitted.”

The Sun commented on the affordable cost of joining the club.  “The annual dues have been fixed at the very moderate sum of $10, no initiation fee, and the rooms will be open to members from 2 to 12 daily.”

A year after moving in, the Knickerbocker Whist Club initiated a startling concept—they invited women.   On February 2, 1898 The Sun reported that “To-night will be the second guest night at the Knickerbocker Whist Club, 143 West Forty-first street, and a large number of women are expected.  The game will be conducted on the Mitchell compass system, and valuable prizes will be given to the women making the best scores.”

The experiment worked.  On February 13 The Sun announced “The Knickerbocker Whist Club has determined to place its quarters at 143 West Forty-first street at the disposal of women players, for their exclusive use every Monday from 2 to 6 o’clock, beginning to-morrow.  Several New York women have arranged to be on hand to organize a club of some kind.  The only expense for the use of the rooms will be the card money, 10 cents for each player.”

The newspaper approved of the forward thinking move that included the feminine sex in the games.  “This is certainly a move in the right direction, and it is an opportunity that should not be neglected by the many women players who have been wishing for suitable quarters in a convenient neighborhood.”

Other rooms were leased as the committee headquarters of the Republican County Committee and the Republican Party in the City of New-York.

In 1902 Astor ordered the demolition of the aging Hotel St. Cloud.  In its place he stipulated a grand hotel that would cost no less than $2 million.  The 16-foot wide annex on 41st Street was allowed to stay; possibly because of its problematic dimensions.

It is tempting to think that the Knickerbocker Whist Club had something to do with the naming of the grand new hotel.  Whether or not, the 16-story Knickerbocker Hotel opened on October 23, 1906, after a full four years of construction.

The first floor of the annex was converted to the service entrance to the new hotel—removing the unglamorous deliveries from the sight of patrons and passersby.    At the same time an attic addition was constructed.  Two handsome copper-clad dormers crowned by peaked pediments were guarded by menacing griffins on pedestals.
photo by Alice Lum
John Jacob Astor died when the R.M.S. Titanic sank on April 15, 1912.  His 20-year old son, Vincent, immediately became one of the wealthiest young men in America, and new owner of the Knickerbocker.  In 1920 he converted the massive hotel to retail space on the ground floor and offices above.  The New-York Tribune mentioned that the property included “a 16.8 foot outlet at 143 West forty-first Street,” but gave no details on any related conversion.

However the annex, too, was transformed into office space.  In 1930 the new publishing firm, Walton Book Co., established it offices here.  One of the first books It published from No. 143 was a new edition of John Marshall’s “Life of Washington.”

The block of West 41st Street suffered indignation throughout most of the 20th century as industrial buildings, many connected with the garment industry, replaced older structures.   By October 1988 when the Landmarks Preservation Commission met to discuss landmark designation for the Knickerbocker, the 41st Street block was decidedly gritty.

During the hearings the owner of the old hotel building objected “to including a small annex on 41st Street,” according to the then-building manager Holly Hunter.
The stone griffins and marvelous copper dormers steal the spotlight from the building's other decorative elements -- photo by Alice Lum
Philip C. Brown’s only known work, the skinny St. Cloud Hotel Annex, survives today probably because of its abnormally narrow footprint.   Despite its arcane location and less-than-gentle use for nearly a century, it retains its dignified posture and its scary griffins on the roof.

 Many thanks to reader Rich Stueber for requesting this post

Tuesday

The Lost John Jacob Astor Mansion -- 840 Fifth Avenue

Carriages dropped off guests at the bronze gates by using the semi-circular drive-- catalog of sale of Astor Mansion (copyright expired)
The indomitable Caroline Webster Schermerhorn Astor, the Mrs. Astor, met her match in 1893.  After a lengthy feud, her next-door neighbor and nephew, William Astor, demolished the brownstone mansion erected by his father, John Jacob Astor III, and began construction on the towering Waldorf Hotel.  It was a brilliant move intended to show his aunt exactly who had the last word in the family fight.

Caroline Astor held on for a year before The New York Times reported on November 4, 1894 “The announcement that a huge hotel is projected for the southwest corner of Fifth Avenue and Thirty-fourth Street has been received without surprise.”  It was not simply co-existing with a hotel that nudged the 64-year old socialite to move.  Society had long since moved northward along Fifth Avenue towards Central Park.  The Astor mansion was increasingly surrounded by commerce.

Caroline’s son, John, oversaw the project of erecting an immense double mansion for himself and his mother on Fifth Avenue at the northeast corner of 65th Street.  Richard Morris Hunt was given the commission to produce the French Renaissance chateau which would take two years to complete.  “Colonel” John Jacob Astor would live in the more desirable southern half, No. 840, with its additional windows on 65thStreet; while Caroline Astor would take the northern residence at No. 841.

A postcard depicted the mansion on a pleasantly-quiet Fifth Avenue.
Hunt designed the houses to seamlessly appear as a unit—rivaling the block-engulfing Cornelius Vanderbilt mansion at Fifth Avenue and 57thStreet enlarged by George Post in 1893.  As the dual mansion neared completion on January 5, 1896, The New York Times hoped that Carolina Astor would throw an opening ball.

“An interesting rumor states that Mrs. Astor is to give a housewarming before the close of this month.  Mrs. Astor’s house, at 841 Fifth Avenue, and that of her son, John Jacob Astor, at 840 Fifth Avenue, are so built that they can be made into one house  When all the rooms of this great residence are thrown open, they will offer a greater space for dancing than any other private house in the city.  Even if Mrs. Astor decides not to give the ball, Col. and Mrs. Astor will give a number of dinner parties.”

Guests entered through magnificent bronze entrance gates into a glass-domed entrance hall.  From here they entered, left or right, into the separate homes.  As The Times indicated, the entertainment spaces were designed so they could be joined into a single ballroom or dining room, for instance.  In true Hunt fashion, the interiors were intended to awe.  The fireplace of the combination ballroom-picture gallery, for instance, dwarfed the Astor guests.  Enormous carved female figures flanked an inset oval portrait above the mantel.  The stained glass skylight was supported by titanic, muscular telamons.

photographer unknown, from the collection of the Museum of the City of New York http://collections.mcny.org/C.aspx?VP3=SearchResult_VPage&VBID=24UAYWN5O8Q2&SMLS=1&RW=1280&RH=899
Despite her advancing age and questionable health, Caroline Astor continued her regimented schedule.  According to Eric Homberger in his Mrs. Astor’s New York, “Each morning after breakfast the day’s meals would be discussed with the staff, led by Thomas Hade, who had been with her since 1876, and her longtime companion, Miss Simrock.  Correspondence was attended to.  The day’s other business might be transacted on the telephone.”  There were the expected rounds of afternoon receiving or being received; dinners, musicales, and dances to attend or host.

The lavish interiors were, for the most part, in the French style -- photograph from the collection of the Library of Congress

Among the most anticipated social events of the year was Caroline’s annual ball.  Her ball was followed, one week to the day each year, by John Jacob Astor’s ball.  In reporting on the latter in 1905, The New York Times remarked “the John Jacob Astor house is a replica of Mrs. William Astor’s, and the same porte cochere and street entrance serve both residences.  Last night both houses were thrown into one, as they were a week ago.  There were boxwood trees lining the crimson-carpeted steps leading from the street to the entrance, and in the large main hall were palms and vases with cut flowers…After all the guests had arrived a supper was served by Sherry at small tables placed in the dining room and halls, after which the cotillion was danced in the beautiful picture gallery and ballroom into which both of the Astor Houses open."

What appeared to be a Brussels tapestry was, in fact, one of a series of finely-executed wall paintings -- catalog of sale of Astor Mansion (copyright expired) 

It was the last of Caroline Astor’s annual balls.  In 1906 she suffered what contemporary accounts deemed a major nervous breakdown.  Possibly it was a series of strokes that afflicted the grand dame, instead.  The Evening World later said “since then [she] had discontinued even the large dinners of which she yearly gave three or four.”  It signaled the beginning of the end of the woman who had ruled Manhattan society for decades. 

In 1907 Caroline Astor shut herself inside the Fifth Avenue mansion.  On October 31, 1908 The Evening World reported “For more than a year she has received nobody but her physician and her daughter, Mrs. Wilson.  The only sign of life about her house since April last came from the windows of her room.”

photographer unknown, from the collection of the Museum of the City of New York http://collections.mcny.org/C.aspx?VP3=SearchResult_VPage&VBID=24UAYWN5O8Q2&SMLS=1&RW=1280&RH=899

There was apparently one exception.  Although on bad days her once-sharp mind was clouded and confused, that was not the case when she permitted a rare interview with the Delineator in October 1908. The New York Times quoted the article and Mrs. Astor’s thoughts on her eventual demise.

“I am not vain enough to think New York will not be able to get along very well without me.  Many women will rise up to take my place.  But I hope my influence will be felt in one thing, and that is in discountenancing the undignified methods employed by certain New York women to attract a following.”

Caroline Astor was, no doubt, referring to her arch rivals Theresa “Tessie” Oelrichs and Marian “Mamie” Fish.  Both women were known for their lavish entertainments which might be termed “theme parties” today. 

“They have given entertainment that belonged under a circus tent rather than in a gentlewoman’s home.  Their sole object is notoriety, a thing that no lady ever seeks, but, rather, shrinks from.”

Three weeks after the article was published, Caroline Astor was dead.  On October 31, the day after her death, The Evening World wrote “Mrs. Astor has been sick for over two years, but death was the result of an old heart trouble, which recurred four weeks ago…Owing to Mrs. Astor’s advanced age, seventy-eight years, her relatives have known for some time her sickness would result fatally.”

Jack Astor wasted little time in taking over his mother’s half of the house.  On November 8, one week after her death, The Sun reported “Mr. and Mrs. John Jacob Astor will now occupy the entire dwelling at 840 and 842 [sic] Fifth avenue as their town residence, as this was the arrangement of Mrs. Astor originally.  Sliding doors open the halls into one and the ball room covers the rear of the double dwelling.”

Astor tore down walls, removed the twin staircases and installed a bronze-domed reception hall.  The library was relocated, and the ballroom was now one gargantuan room—possibly the largest in New York City.  And there was one other renovation John Jacob Astor would make in his life—divorce.

The remodeled reception room dazzled -- catalog of sale of Astor Mansion, (copyright expired)
Inside the walls of No. 840 Fifth Avenue things had not been idyllic for Astor and his wife, Ava.  And on November 6, 1909 The Los Angeles Herald noted that “The papers in the suit for divorce which Mrs. John Jacob Astor is reported to have brought against her husband are now complete…It is reported that papers recommend a decree in favor of Mrs. Astor.  The custody of the daughter, Alice, 7 years old, is said to have been given to Mrs. Astor, while Colonel Astor, it is reported, will be given the custody of the son, William Vincent, 17 years old.”

Above the mantel in the marble-walled and floored Dining Room hung the portrait of the original John Jacob Astor -- catalog of the sale of the Astor Mansion (copyright expired)

A few months later, on March 18, 1910, The Norfolk Weekly New-Journal brushed off the hoop-la.  “The John Jacob Astor divorce attracts little attention in the atmosphere of New York’s smart set.  Couples that live in domestic peace and harmony are more of a news feature down there.”

Two weeks earlier renovations to the mansion had been completed and on March 3 Astor gave a housewarming dinner “of almost two hundred covers…in his newly constructed residence, 840 Fifth Avenue,” as described by The Times.  “There will be a cotillion afterward, to which a hundred additional guests have been invited.”  No longer in the shadow of either Caroline or Ava Astor, John Jacob Astor opened his doors to over three hundred guests that night; not only celebrating a new house, but a new life.

Off the reception room was the Entrance Hall with its massive fireplace and groin-arched ceiling -- catalog of the sale of the Astor Mansion (copyright expired)  
The mansion was not completely done; however.  A year later on February 7, 1911 The New York Times explained “Col. Astor gave last year a Mi-Careme dance as a housewarming to his remodeled residence, but at that time the central feature of the huge new central hall—an immense fountain—had not been completed.  This fountain, built of shaded gray convent marble and about ten feet high, with spouting dolphins at its top and infant Neptunes with tridents seated below, apparently ready to spear the goldfish swimming at their feet, is the most noticeable figure of the now finished hall.”

A stylish carriage pulls up to the entrance via the semi-circular drive in 1897-- photo by Byron Company, from the collection of the Museum of the City of New York http://collections.mcny.org/C.aspx?VP3=SearchResult_VPage&VBID=24UAYWN5O8Q2&SMLS=1&RW=1280&RH=899

The installation necessitated another massive entertainment.  On February 6, 208 guests were invited for dinner and another 300 arrived for dancing afterward.  “The house itself is too handsome to need extraneous ornamentation, and a few vases of cut flowers formed the only decoration in the drawing and reception rooms and library,” said The Times.  “Col. Astor had assisting him in receiving his guests Mrs. Ogden Mills and his niece, Mrs. Theodore Douglas Robinson.  They stood in the drawing room at the left of the entrance, where the late Mrs. Astor was wont to receive.”

Astor had every reason to be pleased that the mansion was now completed.  There would soon be a new Mrs. Astor with whom to share it.  Jack Astor had become enamored with Madeleine Talmage Force, the daughter of William Hurlbut Force and Katherine Arvilla Talmage; and on September 8, 1911 The New York Times suggested “There was an impression last night among the friends of Col. John Jacob Astor that his marriage to Miss Madeleine T. Force would not be delayed more than a few days.”

John Jacob Astor and his young bride, Madeleine Talmadge Force -- photos from the collection of the Library of Congress.
If society was not shocked by Astor’s marrying so quickly after his divorce, it was taken aback by the age difference.  Madeline was approximately the same age as her soon-to-be stepson, Vincent.  The wedding went on despite any raised eyebrows and, following their quiet honeymoon at Ferncliff, the Astor country estate in Rhinebeck, New York, the newlyweds traveled to Europe.

By the time they started home Madeleine was pregnant.  The couple boarded the new RMS Titanic in Southampton, England on April 10, 1912.  Only one of them would return to No. 840 Fifth Avenue.

At midnight on April 14 the teen-aged Vincent Astor was awakened with the news that the Titanic had gone down.  Two days later The Evening World reported “William Vincent Astor was one of the many visitors who hung about the White Star offices yesterday and refused to depart with the meager assurances of the safety of all the passengers that had been offered.

“The boy was still sitting in the great silent house this morning when an official of the White Star line called up and notified him that Mrs. John Jacob Astor and her maid had been saved,” the newspaper said.

“‘But what of father?’ shrieked the boy through the phone and made no effort to choke back his sobs when the faltering reply came that no word had been received of the fate of Col. Astor.”

John Jacob Astor, who had valiantly given up a seat in a lifeboat, died on the ship.  Madeleine was home in the Fifth Avenue mansion within a few days.  The Sun, on April 21, reported on the condition of the pregnant widow.  “The nervous condition which caused her friends some alarm on Thursday night has passed almost entirely away and Dr. Reuel B. Kimball, the Force family physician, said that it had not been necessary to give Mrs. Astor a single drop of medicine.”

Vincent Astor was visiting his mother on August 14, 1912 when Madeleine gave birth in the Astor mansion. The Times said “The baby, who will be the sixth to bear the name of the founder of the Astor fortune, and who comes into an estate of $3,000,000, is said to be strong, well formed, and to bear a striking resemblance to his father.”

Madeleine and her son lived on in the hulking Fifth Avenue chateau.  As the baby grew, his mother found that his expenses were outweighing his income.  On June 5, 1915 The Evening World reported “Three-year-old John Jacob Astor, posthumous son of Col. John Jacob Astor, who lost his life on the Titanic, is having a difficult time, his mother, Mrs. Madeleine Talmadge Force Astor says, in getting along on the allowance of $20,000 a year which Surrogate Cohalan instructed her to spend on him.”  The boy’s annual allowance would amount to just under half a million today.

But by the same time the following year, Madeleine and little John Jacob Astor would be packing their bags.  In June 1916 she married William K. Dick, a friend since childhood and a millionaire in his own right.  At 28 he was just four years older than Madeleine.  The Washington Times reported on June 18, 1916 “By her marriage Mrs. Astor will relinquish possession of the Astor mansion at the northeast corner of Fifth avenue and Sixty-fifth street, as well as the income on $5,000,000 which Colonel Astor set aside for her in his will, to be held as long as she should remain single.  These will revert to William Vincent Astor, Colonel Astor’s son by his first marriage to which the bulk of the $87,000,000 estate was left.”

Young Vincent Astor was now married to the former Helen Dinsmore Huntington and the couple now were the sole residents of No. 840 Fifth Avenue.  The new Mrs. Astor was active in social causes and entertainments in the mansion would be far different from those hosted by Caroline Astor or her son.

Guests entered through what the American Art Association termed "superb bronze gates" catalog of the sale of the Astor Mansion (copyright expired

On November 16, 1916 The Evening World opined “The first dinner ever given by Mrs. Vincent Astor in the home at No. 840 Fifth Avenue, which for several generations has housed the head of the house of Astor in America, was not, in the narrow meaning of the phrase, a social function.  Yet it had a wider social significance than any entertainment ever given in the famous mansion.”

Helen invited 100 men and women “who work for the ideals of the National Americanization Committee.”  The group “aims to teach new citizens the English language, to impress upon them the value of American citizenship, loyalty to the flag, to make them Americans in spirit as well as in fact, and to bring about friendlier relations between employers and their employees.”

The newspaper was impressed with Helen’s active stance on social causes.  “Youngest of all the Astor hostesses, Mrs. Vincent Astor has already shown herself to be a woman of serious thought and purpose.  She belongs to the new order of society girl, whose conception of life is that of service.” 

Helen’s socially-focused entertainments—which would have been so alien to Caroline Schermerhorn Astor—included meetings of the League of Foreign Born Citizens, a Herbert Hoover campaign meeting for women voters in May 1920; and, in February that year, a meeting of the Maternity Centre Association.  Governor Smith spoke at that meeting which drew “a large and fashionable crowd,” according to The Sunon February 26. 

Less than 30 years after the bronze gates to the Astor mansion were first thrown open, its impending demolition was announced.  On April 13, 1924 The New York Times wrote “Vincent Astor’s home at 840 Fifth Avenue is to be replaced by a twelve-story apartment house.  The announcement marks a period in the history of Fifth Avenue.  Here at 840 Vincent Astor’s grandmother, Mrs. William Astor, completed the decades of rule over New York society which made her to the entire world simply Mrs. Astor—the Mrs. Astor.”

“The house contains the Astor art collection, one of the most famous private collections in the world, consisting of many noted paintings, tapestries, bronzes, and works in marble,” said The Times a year later as plans for its demolition were cemented.  “In the main ball room, now devoted chiefly to the art collection, there hangs a picture of the dowager Mrs. Astor.  Mrs. Astor used to stand under this painting and receive.”

The great house, once the “social centre of the city” as described by The Times, was opened to the public on April 20 and 21, 1926 as the American Art Association, Inc. auctioned off everything.  Not only were the bronzes, paintings, antique furniture, carpets and tapestries sold; so too were Mrs. Astor’s silver and china and the very architectural elements.  Included in the auction catalog were “carved wood wall paneling, painted insets and ceilings.”

In the place of the massive French chateau rose the Temple Emanu-El designed by Robert D. Kohn.

photo by Jim Henderson


Monday

The Vincent Astor House - No. 130 East 80th Street

photo by Jim Henderson
Vincent Astor was just 20 years old in 1912 when the Titanic sunk. On board was Astor’s father, John Jacob Astor and his new wife, Madeleine, who was younger than Vincent. Through tragedy the young Harvard student became one of the richest men in the world, inheriting an estimated $200 million.


The young Vincent Astor was neither short on money nor good looks.

Two years later Astor married Helen Dinsmore Huntington and, after serving in the Navy during World War I, began planning a permanent home. Collective eyebrows and curiosities were raised when the millionaire began buying up properties on East 80th and 79th Streets, a few blocks away from the more-expected Fifth Avenue.

On January 8, 1926 The New York Times noted that “The private residence at 127 East Seventy-ninth Street, between Park and Lexington Avenues, has been purchased by Vincent Astor, it was learned yesterday, and will be added to the plot he has assembled at this point for improvement with a new residence for his own occupancy.”

The “plot he has assembled” included the home of Mrs. Louis W. Noel at No. 130 East 80th Street.

Within the year Astor had commissioned the highly-esteemed architect Mott B. Schmidt to design the new mansion on the site of the demolished Noel residence. Giving a nod to Robert Adam’s elegant London Society of Arts Building, Schmidt created a restrained Neo-Classic residence constructed of imported Roche limestone, completed in 1928.

Oozing English understated poise, its stone portico rests on two plain, Ionic pillars – reflected in the four two-story Ionic pilasters above. Simple but graceful iron fencing separates the first floor from the public sidewalk. Schmidt, in foregoing elaborate ornamentation, achieved unparalleled class.

Helen Astor was a staunch supporter of the musical arts and entertained often in the mansion, hosting charity teas for the Philharmonic and, in October 1938, giving a gala reception for Arturo Toscanini before he left New York for Europe.

With the Astors came other wealthy neighbors as three Georgian-style brick mansions abutted No. 130. Comparing the Astor mansion to these homes decades later, the AIA Guide to New York City said it was the “most subtle and most powerful of the 80th Street Quartet. Here brick Georgian gives way to travertine Regency. Taut Ionic pilasters, and an elegant relieving arch in the manner of the Brothers Adam. Schmidt was a winner.”

Helen and Vincent Astor divorced in 1940. Before long Astor married Mary Benedict Cushing, best known as Minnie. Within two years he was breaking Astor tradition – after a century and a half of accumulating Astor property, Vincent began selling it. Among the properties he liquidated was the mansion at No. 130 East 80th Street.

photo nyjl.org
In 1943 Mrs. Bertha Rainey Plum purchased the house, living here just four years. Then in 1947 it was acquired by the Junior League of New York City. By 1949 the house was ready for their move. The Times reported on May 24 of that year, “The Junior League of the City of New York once more is dwelling in marble halls…after ‘roughing it’ for nearly a year in a storage warehouse.”

The League, whose purpose according to its Mission Statement is “exclusively educational and charitable,” remains in Vincent Astor’s exceptional mansion, preserving its integrity on a block of exceptional residences.