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| photo by Alice Lum |
Lenox established a farm on the property complete with “horses, cattle, and farming utensils” and urged his son, James, not to sell. In his will he left “my farm at the Five-Mile Stone” saying it “may at no distant day be the site of a village.” Robert Lenox was only half-wrong.
When his son James died in 1880 the land had indeed grown in value. But there was no village growing up around it—it was New York City itself that was engulfing the property. What had been a farm was now bordered by Fifth and Madison Avenues, from 68th to 74thStreets. Mansions and rowhouses began replacing the cow barns and other farm buildings.
Before his death Lenox had donated the entire block between 70th to 71st Street, facing Fifth Avenue, for his Lenox Library. When the Astor, Lenox and Tilden Library were consolidated and moved into the new Carrere & Hastings Public Library building on Fifth Avenue at 42nd Street, the magnificent Lenox Library was demolished. The Sun, on July 30, 1911, noted “In 1906 the block from Fifth to Madison avenues, Seventieth to Seventy-first streets, known as the Lenox Library block, was the only block in the entire choice resident portion of the city which had no residence thereon. In the meantime values, because of the locating of Central Park, because of Fifth avenue and ‘Millionaires’ Row’ and because of the restrictive character of this section, had so increased that a single strip, 1x100 feet, or 100 square feet, approximately represented the first cost of the entire farm.”
Cornelius W. Lyster, Jr. purchased the lots at Nos. 16 and 18 East 71st Streets in 1909 and commissioned architect John H. Duncan to design two near-matching commodious homes in their place. Duncan produced two limestone-clad residences in the neo-French Classic style. The wealthy home buyers who were moving into the exclusive neighborhood were no longer content with cookie-cutter rowhouses built by speculative developers. Many chose their own architects and gave input on the designs. Duncan therefore individualized the two mansions while retaining their harmonious flow—most evident at the second floor window treatments and balconies. Six stories tall including the two-story mansards, the millionaire-ready homes were completed in 1911.
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| Duncan individualized the designs through the treatments of the balconies and the second floor windows -- photo by Alice Lum |
The buyer of No. 18 was “a New York merchant,” Julius Kayser, President of Julius Kayser & Co., manufacturers of underwear and gloves. The millionaire moved into the house with his wife, Henrietta Bache Kayser, daughter Alice, and a household staff. There were 28 rooms, seven baths and an electric elevator. The Kayser’s other daughter, Laura, was married to Edward S. Bayer and would live nearby on the opposite side of the Lenox Block at No. 32 East 70th Street.
Despite his age--he was 77 years old when he bought the mansion--Kayser remained active in his business and social life. Seven years later, on March 8, 1920 he and Henrietta went to the theater. Upon returning he was “attacked by heart trouble,” according to The Times and the following day died in the house. The extent of his charitable generosity was reflected in the list of beneficiaries in his will.
The Times reported “He gave $72,000 in stock of his corporation for the benefit of the Kayser Girls’ Auxiliary, and $50,000 in stock to the Julius Kayser Mutual Aid Association. Bequests of $10,000 each went to the Hebrew Orphan Asylum, Hebrew Sheltering Guardian Society, Montefiore Home, and the Hebrew Technical School for Girls.” Kayser did not overlook his household staff. “Mr. Kayser gave $10,000 to Ellen Drake for faithful services and $250 to each servant in his employ.”
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| photo by Alice Lum |
Prior to the ceremony, Metropolitan Opera diva Lotte Lehmann sang “Wo du Hingehst,” followed by Wagnerian tenor Lauritz Melchoir’s “To the Bride” accompanied by composer-pianist Erno Balogh. Then the pair sang a duet from “Tristan und Isolde,” accompanied by Fritz Reiner. Yet another celebrated pianist, Leopold Godowsky, was on hand to play the wedding march from “Lohengrin.” Following the ceremony, famed opera star Lily Pons sang Mozart’s “Alleluia,” and Metropolitan Opera basso Emanuel List sang a group of Viennese songs during the reception.
As Henrietta grew older, daughter Laura and the Bayer family moved into the house with her. Henrietta's
grandson, Edwin S. Bayer, Jr. was 42-years old in April 1940 when he left the house to go fishing upstate. A World War I veteran, he was dressed, oddly enough, in one of his old khaki uniforms when his automobile and a truck were involved in a head-on collision around Waverly, New York. Bayer was held in serious condition in the hospital there.
grandson, Edwin S. Bayer, Jr. was 42-years old in April 1940 when he left the house to go fishing upstate. A World War I veteran, he was dressed, oddly enough, in one of his old khaki uniforms when his automobile and a truck were involved in a head-on collision around Waverly, New York. Bayer was held in serious condition in the hospital there.
After thirty years in the house, Henrietta Bache Kayser died in her bed in December 1943 after a short illness. A year later, on December 25, 1944, The New York Times reported on the sale of the Kayser mansion. “Dr. I. Daniel Shorell, the plastic surgeon, has purchased the six-story dwelling…and plans to occupy it for his office and private hospital.”
Shorell saw no conflict between his opening of a private hospital in the house and his application for a stay against Katherine Dunham’s buying the house next door at No. 14 for her dance school. Shorell’s appeal to the court “set forth that the dancer should be stopped from completing on Monday the purchase of the property, since she intends to use the premises as a dance studio in violation of the zoning laws,” reported The New York Times. The judge did not agree.
Dance studios and private hospitals, however, were lamented by The New York Times’ Lucy Greenbaum on December 1, 1946. She recalled that New York’s millionaires “built their homes as showplaces, importing the finest of marbles and the rarest of woods and decorating the enormous rooms with hand-cut glittering chandeliers, impressive paintings and book collections.” Now, specifically including the house at No. 18, she lamented their fate.
“The Felix Warburg home at Ninety-second Street and Fifth Avenue now belongs to the Jewish Theological Seminary. The old Kayser home at 18 East Seventy-first Street has been sold to a doctor and turned into a private hospital. The Frick mansion at 1 East Seventieth Street is now a nationally known museum.”
Although Shorell was a pioneer in the field of reconstructive and plastic cosmetic surgery, his facility, the Manhattan Sanitarium, was termed by The New York Times “a nursing home.” It provided care to wealthy patients who sought individualized care in luxurious surroundings. One such patient was William H. Siebert who stayed here for five weeks in 1950. The 66-year old had been with Hammacher, Schlemmer & Co. for 46 years when he died in the sanitarium on June 22.
In December 1956 the house was sold to the Youth Consultation Service, a private organization assisting adolescent girls. Founded in 1909, it was affiliated with the Protestant Episcopal Diocese of New York and was a favorite charity of New York socialites. The Times reported on May 27, 1960 that the association “seeks to help troubled girls and young women between the ages of 14 and 25 who are referred to it by churches, schools, colleges, hospitals and doctors or who have heard about the service. Some are unmarried expectant mothers who are cared for at the agency’s shelter, Dana House.”
For over two decades the once-grand rooms of the Kayser family housed troubled girls and provided them counseling, care and guidance. Then in 1977 the house was converted to a school and day care facility. The first two floors were adapted as nurseries, classrooms, day care, multipurpose rooms and offices.
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| photo by Alice Lum |